Bookseeker Literary Agency

Introducing authors and publishers.


“Reading ‘Split Decision’ is the best decision you can make.”

Jack Woodward 200

Jack Woodward

Recently broadcaster Jack Woodward came across a copy of Carmen Capuano‘s novel Split Decision. Here’s what he had to say about it.

I thought this was a compelling and enthralling read, from beginning to end. We’ve all had ‘sliding doors’ moments in our lives ( though not many with quite such dramatic consequences I hope! ), and the two parallel stories were superbly and sensitively told.

 Lots of surprises, twists and turns along the way and excellent use of language to convey the emotions, also covering a range of issues, from friendship to family, loyalty to jealousy.

 For the whole book to be based on a time period of less than 24 hours was a challenge but it worked well, written in such an intelligent way that flitting between the two narratives is in no way confusing for the reader, it actually helps build the suspense.

splitI’m one of those people who likes to read a couple of chapters a night but I just couldn’t put this one down and had to keep going right through to the nail biting finale. Riveting and remarkable, this author really knows how to get you right on the edge of your seat.

 In fact, reading Split Decision is the best decision you can make.

 

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Introducing Michael Shand

Michael Shand 300Michael Shand is a Scottish playwright and author. He lives in Edinburgh with his wife Sara, his son Charlie, and a couple of crazy cats. And we are pleased to welcome him to the circle of authors represented by this agency.

Between 2006 and 2015 Michael completed thirty plays, many of which were produced in festivals throughout Scotland by That’s Lunch Productions. His forte and preferred medium of expression is Scottish vernacular, and he says that his works “tend to highlight the wickedness of human nature and mankind’s inherent instinct for survival.” Several of his plays have been shortlisted for awards and in competitions, and his one-man piece Depravity won an Arts Trust for Scotland Award.

His new novel, Let Sleeping Dogs Lie, which the agency will be presenting to publishers later this year, tells of what happens when someone drops a bag full of money on top of three unsuspecting homeless people, sheltering from the rain under a bridge in 1990s Edinburgh. Kidnap, violence, murder, and betrayal happen, in a helter-skelter of action.

Readers of John Banville will recognise the novel’s introspection, and those of Irvine Welsh the barbarity and humour. It rubs shoulders with the works of Ian Banks and Kate Atkinson, and readers of either would enjoy it.

Watch this space for more news about Let Sleeping Dogs Lie. Publishers who would like to get in touch in advance of our official promotion – and get in first! – please feel free to do so.


A conversation with Sarah Dunant

1Paul writes:

Yesterday I had the pleasure of attending a public conversation between Dr. Monica Azzolini and historical novelist Sarah Dunant, at the School of History, Classics & Archaeology at the University of Edinburgh, and of speaking to her briefly afterwards. The event was primarily a promotion for the most recent novel in her series dealing with the Borgias – In the Name of the Family.

Sarah Dunant cut her literary teeth writing ‘thrillers’ which, she said, taught her the art of storytelling. She is a historian by education, and loves historical research. Research, when produced for academic consumption, however, tends to be published by university presses and remains within the academic sphere, with an academic readership. Fiction, on the other hand, liberates the subject to a wider readership, and while Sarah does not write instrumentalist novels, she is well aware that her readers are learning whilst enjoying an absorbing novel. So she makes sure that her research is exhaustive.

3It has often been said before when it comes to history – “Where are the women?” We have the impression, due to ‘taught’ history seeming to be a procession of great men, great battles, great events, that half the world’s population is invisible, and that this invisibility is somehow uniform throughout history. Sarah presents Renaissance women to us in her novels – in convents, as courtesans, at court – living unexpectedly rich and varied lives, even though they may be distanced from direct involvement in the ‘great events’. Lucrezia Borgia is almost invisible, except for the gossip put around by enemies of the Borgias. Pinturicchio’s depiction of St Catherine of Alexandria may be the closest we have to a portrait of her, but as a dynastic asset she was arguably as important as her father Rodrigo and her brother Cesare. Although she was only thirty-nine when she died of natural causes, she outlived them both.

Sarah Dunant, who says she is always “willing to take on the real history,” read to us a passage from her novel, describing the process of serving as a witness to the consummation of Lucrezia’s marriage at Ferrara. There was no description of the bride’s feelings and thus no kowtowing to the stereotypical idea that women writers ‘do’ feelings, but rather an account of the ‘bodily bureaucracy’ that goes with a dynastic match.

2In the Name of the Family introduces to Sarah’s readers to a young Florentine diplomat – Niccolo Machiavelli. This is a name that often strikes a chill – after all, the adjective that derives from his name is used to describe the ruthless and amoral wielding of political power – but a recent book by Erica Benner, Be Like the Fox, reveals a staunch believer in republican liberty and a scrupulous recorder of the realpolitik of Renaissance Italy. Sarah’s portrayal of him is that of a relative youngster, who has a wife back home who seems quite fond of him, and who worries about whether his attire is smart enough for his surroundings, whether his doublet is straight, and so on. He is a man who has been chosen for his diplomatic job because he shows much promise, but the wily observer has yet to emerge. Writing The Prince is many years ahead.

To Sarah Dunant the Renaissance is an era of “red hot modernity.” She is well aware that its cruelty and beauty are not two separate aspects of the time, but are interwoven, along with all the daily banalities.

I would like to thank Sarah Dunant, Monica Azzolini, and of course the University of Edinburgh for hosting the event.

__________

Courtesy note: Sarah Dunant is represented by Aitken Alexander Associates Ltd.


‘The Solar Wind IV’ finds a place in the heart.

solar-wind-ivReviewer Colleen Chesebro recently had the following to say about the fourth in the Solar Wind series by Lyz Russo:

Volume Four brings the pirate assassin, Federi, and his wife, the lovely genetic engineer/musician, Paean, back together at long last. When these two are apart, the Solar Wind never rides smooth on the waves beneath its bow. Something is off, though, and Federi’s gypsy intuition is pushed into overdrive to figure out what is wrong.

Suddenly, a new threat surfaces when Dana, an alien from the planet New Dome, arrives aboard the ship with an agenda all her own. The hauntingly beautiful Dana disrupts the newfound relationship between the Captain and Perdita when it is revealed that she is Rushka’s mother. Perdita is stunned and watches, filled with fury, as the Captain succumbs once again to Dana’s evil charms. Meanwhile, Rushka, pregnant with her first child remembers the cruelty she suffered at the hands of her alien mother when she was a young child.

And, if that wasn’t enough drama, mutant creatures are menacing the crew, threatening their very lives. The beings can’t be destroyed, and they regenerate themselves from a single living cell. They multiply into the thousands with only one thing on their mind – to kill. When one of the creatures attacks Federi, the team battles for his and their lives looking for solutions to save the world from certain destruction.

lyz-russo

Lyz Russo

Perdita is the key to protecting humankind from Dana’s malevolence. If they can save Federi, there is still hope…

I have been reading the Solar Wind Series for some time now, and I must say, I enjoyed Book IV, Raider, the best! The characters have long ago found a place in my heart. Once again, it is the relationship between Paean and Federi that steer the crew into new adventures. The addition of space travel and the ability to beam to any location in an instant added another layer of mystique to the plot.

Lyz Russo has created a science fiction series that continues to entertain and invite the reader into the world of the Solar Wind, and its crew. This futuristic pirate fantasy is one of my favorites!

Read more about Solar Wind IV here.


A great review for Lyz Russo’s ‘Freedom Fighter’!

Lyz Russo’s Solar Wind novels form a series of futuristic adventures – it would be unfair to hang the simplistic label ‘fantasy’ on them – that take its principle characters on a journey of piracy and political intrigue, mystery and mayhem, revolution and romance, through an unfamiliar seascape. Latter-day Romany errants cruise the currents of the yet-to-come, running from and striking back at the world’s ruthless rulers, the Unicate. That, and more, is what the reader gets in the pages of these books. The original Mystery of the Solar Wind was the book that the word ‘unputdownable’ was invented for, and each sequel has pushed the envelope a little further.

The third book in the series, Freedom Fighter, was recently put under scrutiny by writer and reviewer Colleen M. Chesebro, and it received an almost perfect score, 4-and-a-half stars! Believe it. Click on the picture below to read the review for yourself on Colleen’s lively blog…

freedom-fighter-lwi